“Upon my word, Watson!” said Holmes at last with an unsteady voice, “I owe you both my thanks and an apology. It was an unjustifiable experiment even for one’s self, and doubly so for a friend. I am really very sorry.”

“You know,” I answered with some emotion, for I had never seen so much of Holmes’s heart before, “that it is my greatest joy and privilege to help you.”

He relapsed at once into the half-humorous, half-cynical vein which was his habitual attitude to those about him. “It would be superfluous to drive us mad, my dear Watson,” said he. “A candid observer would certainly declare that we were so already before we embarked upon so wild an experiment. I confess that I never imagined that the effect could be so sudden and so severe.” He dashed into the cottage, and, reappearing with the burning lamp held at full arm’s length, he threw it among a bank of brambles. “We must give the room a little time to clear. I take it, Watson, that you have no longer a shadow of a doubt as to how these tragedies were produced?”

“None whatever.”

“But the cause remains as obscure as before. Come into the arbour here and let us discuss it together. That villainous stuff seems still to linger round my throat. I think we must admit that all the evidence points to this man, Mortimer Tregennis, having been the criminal in the first tragedy, though he was the victim in the second one. We must remember, in the first place, that there is some story of a family quarrel, followed by a a reconciliation. How bitter that quarrel may have been, or how hollow the reconciliation we cannot tell. When I think of Mortimer Tregennis, with the foxy face and the small shrewd, beady eyes behind the spectacles, he is not a man whom I should judge to be of a particularly forgiving disposition. Well, in the next place, you will remember that this idea of someone moving in the garden, which took our attention for a moment from the real cause of the tragedy, emanated from him. He had a motive in misleading us. Finally, if he did not throw this substance into the fire at the moment of leaving the room, who did do so? The affair happened immediately after his departure. Had anyone else come in, the family would certainly have risen from the table. Besides, in peaceful Cornwall, visitors do not arrive after ten o’clock at night. We may take it, then, that all the evidence points to Mortimer Tregennis as the culprit.”

“Then his own death was suicide!”

“Well, Watson, it is on the face of it a not impossible supposition. The man who had the guilt upon his soul of having brought such a fate upon his own family might well be driven by remorse to inflict it upon himself. There are, however, some cogent reasons against it. Fortunately, there is one man in England who knows all about it, and I have made arrangements by which we shall hear the facts this afternoon from his own lips. Ah! he is a little before his time. Perhaps you would kindly step this way, Dr. Leon Sterndale. We have been conducting a chemical experiment indoors which has left our little room hardly fit for the reception of so distinguished a visitor.”

‘Do you mind if I go?’ she said. You know it was promised, for this summer.

‘For how long would you go?’

‘Perhaps three weeks.’

There was silence for a time.

‘Well,’ said Clifford slowly, and a little gloomily. ‘I suppose I could stand it for three weeks: if I were absolutely sure you’d want to come back.’

‘I should want to come back,’ she said, with a quiet simplicity, heavy with conviction. She was thinking of the other man.

Clifford felt her conviction, and somehow he believed her, he believed it was for him. He felt immensely relieved, joyful at once.

‘In that case,’ he said,

‘I think it would be all right, don’t you?’

‘I think so,’ she said.

‘You’d enjoy the change?’ She looked up at him with strange blue eyes.

‘I should like to see Venice again,’ she said, ‘and to bathe from one of the shingle islands across the lagoon. But you know I loathe the Lido! And I don’t fancy I shall like Sir Alexander Cooper and Lady Cooper. But if Hilda is there, and we have a gondola of our own: yes, it will be rather lovely. I DO wish you’d come.’

She said it sincerely. She would so love to make him happy, in these ways.

‘Ah, but think of me, though, at the Gare du Nord: at Calais quay!’

‘But why not? I see other men carried in litter–chairs, who have been wounded in the war. Besides, we’d motor all the way.’

‘We should need to take two men.’

‘Oh no! We’d manage with Field. There would always be another man there.’

But Clifford shook his head.

‘Not this year, dear! Not this year! Next year probably I’ll try.’

She went away gloomily. Next year! What would next year bring? She herself did not really want to go to Venice: not now, now there was the other man. But she was going as a sort of discipline: and also because, if she had a child, Clifford could think she had a lover in Venice.

It was already May, and in June they were supposed to start. Always these arrangements! Always one’s life arranged for one! Wheels that worked one and drove one, and over which one had no real control!

It was May, but cold and wet again. A cold wet May, good for corn and hay! Much the corn and hay matter nowadays! Connie had to go into Uthwaite, which was their little town, where the Chatterleys were still THEChatterleys. She went alone, Field driving her.

In spite of May and a new greenness, the country was dismal. It was rather chilly, and there was smoke on the rain, and a certain sense of exhaust vapour in the air. One just had to live from one’s resistance. No wonder these people were ugly and tough.

The car ploughed uphill through the long squalid straggle of Tevershall, the blackened brick dwellings, the black slate roofs glistening their sharp edges, the mud black with coal–dust, the pavements wet and black. It was as if dismalness had soaked through and through everything. The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling. The stacks of soap in the grocers’ shops, the rhubarb and lemons in the greengrocers! the awful hats in the milliners! all went by ugly, ugly, ugly, followed by the plaster–and–gilt horror of the cinema with its wet picture announcements, ‘A Woman’s Love!’, and the new big Primitive chapel, primitive enough in its stark brick and big panes of greenish and raspberry glass in the windows. The Wesleyan chapel, higher up, was of blackened brick and stood behind iron railings and blackened shrubs. The Congregational chapel, which thought itself superior, was built of rusticated sandstone and had a steeple, but not a very high one. Just beyond were the new school buildings, expensivink brick, and gravelled playground inside iron railings, all very imposing, and fixing the suggestion of a chapel and a prison. Standard Five girls were having a singing lesson, just finishing the la–me–doh–la exercises and beginning a ‘sweet children’s song’. Anything more unlike song, spontaneous song, would be impossible to imagine: a strange bawling yell that followed the outlines of a tune. It was not like savages: savages have subtle rhythms. It was not like animals: animals MEAN something when they yell. It was like nothing on earth, and it was called singing. Connie sat and listened with her heart in her boots, as Field was filling petrol. What could possibly become of such a people, a people in whom the living intuitive faculty was dead as nails, and only queer mechanical yells and uncanny will–power remained?